We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.

RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.

There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.

Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!

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Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.

M Rajesh’s unique grammar is visible but without the usual charm!

After a disappointing Sir/Vaathi, Venky Atluri delivers an engaging and relatable drama on racketeering starring Dulquer Salman and Meenakshi Chaudhary.

Stunning visuals, commendable performances and a soulful story.

There’s a line in ‘Bloody Beggar’ where Kavin walks off from a movie and tells his friend, “ipdi oru padam nadichathuku antha aal mela than complaint kudukanum”. By the end of it, you can’t help but look at that scene as a foreshadowed emotion of the audience towards Bloody Beggar.

Which one are you watching this Diwali weekend?