Movies
September 1, 2016
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By JFW Guest

Unseen Pictures Of Preity Zinta’s Wedding!

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Preity Zinta in Manish Malhotra and Gene Goodenough in Raghavendra Rathore. How stunning do they look? JFW wishes the couple a happy married life!!!!

Maaman Review : A Patriarchal Family’s Drama that Villainizes its Women !

Maaman is a new story with new ideas but approached with old and primitive ideals.

Movies / People
February 4, 2025

Movies / People
February 4, 2025

Stealing The Spotlight : Meenakshi Chaudhary Opens Up On Family, Films And The Road Ahead!

What’s on the horizon for Meenakshi in terms of movies this year?

Movies
January 4, 2025

Movies
January 4, 2025

Identity Review: Tovino Thomas and Trisha’s Thriller Has A Solid Setup But Is Confused About Its Identity!

With too many ideas, Identity is engaging yet uncertain about what its ambitions are!

Movies
December 20, 2024

Movies
December 20, 2024

Viduthalai Part 2 Review: Vijay Sethupathi Fires Up A Compelling Sequel That’s Preachy Yet Politically Strong!

A political film that’s both intimate and intense!

Movies
December 5, 2024

Movies
December 5, 2024

Pushpa 2 Review: Allu Arjun Mounts an Incomplete and Fuel-less Fire!

An underwhelming sequel!

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Movies
November 29, 2024

Movies
November 29, 2024

HER Movie Review : “Five women, five stories—realistic women characters that capture the different versions of women we see every day.

We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.

Movies
November 29, 2024

Movies
November 29, 2024

Sorgavaasal Review: RJ Balaji Impresses In A Prison Drama That Breaks Some Routine!

RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.

Movies
November 26, 2024

Movies
November 26, 2024

A Poem on Female Friendships, Closure and Loneliness: All We Imagine As Light Review!

There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.