They make a lovely couple!
An underwhelming sequel!
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
An underwhelming sequel!
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
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Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.
M Rajesh’s unique grammar is visible but without the usual charm!
After a disappointing Sir/Vaathi, Venky Atluri delivers an engaging and relatable drama on racketeering starring Dulquer Salman and Meenakshi Chaudhary.
Stunning visuals, commendable performances and a soulful story.
