An underwhelming sequel!

We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.

RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.

There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.

Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!