#15YearsofNayanism storms the Internet
Written and directed by Nelson Dilipkumar and produced by Lyca Productions, Kolamaavu Kokila was a movie to reckon with in Nayanthara’s career. Her popularity reached its peak with early morning shows arranged on its release. Nayanthara played a young woman, who takes up drug peddling to make money for the treatment of her mother’s illness. A comedy caper, it was one of the big hits in 2018.
What’s on the horizon for Meenakshi in terms of movies this year?
With too many ideas, Identity is engaging yet uncertain about what its ambitions are!
A political film that’s both intimate and intense!
An underwhelming sequel!
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.
Mood Swings, Cravings and Chaos!
Celebrating Women, Cinema, and Unforgettable Moments!
What’s on the horizon for Meenakshi in terms of movies this year?
With too many ideas, Identity is engaging yet uncertain about what its ambitions are!
A political film that’s both intimate and intense!
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
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Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.
