The megastars of Indian Cinema!
Megastar Chiranjeevi is the Rajinikanth of Telugu cinema. His screen presence is amazing and his every movie is turned into a blockbuster by his mass fan following. His next movie will be his 150th film and the movie is made in a grander style to celebrate the actor’s achievement. The film has been named Khiladi No: 1 and is the remake of the hit Tamil film Kaththi.
Madras Matinee is a slice of life story that is soulful and comical but also over dramatic, at times.
Thug Life, despite being bejeweled with the masters in each field fails in its execution, with a weak storyline.
Maaman is a new story with new ideas but approached with old and primitive ideals.
What’s on the horizon for Meenakshi in terms of movies this year?
With too many ideas, Identity is engaging yet uncertain about what its ambitions are!
A Digital Global Positioning Survey (DGPS) by the Tamil Nadu government revealed that nearly 38% of the marsh has been encroached upon by a range of entities
Madras Matinee is a slice of life story that is soulful and comical but also over dramatic, at times.
Thug Life, despite being bejeweled with the masters in each field fails in its execution, with a weak storyline.
In response, actor Parvathy Thiruvothu took to Instagram, sharply criticising the Kerala Government for its delayed implementation of the report’s recommendations
Maaman is a new story with new ideas but approached with old and primitive ideals.
A political film that’s both intimate and intense!
An underwhelming sequel!
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
