Aishwarya started out her career as a model in 1991 and won an International supermodel contest organised by Ford. Then in the year 1994 she won the coveted, Miss World pageant.
Kudos to the most beautiful woman on earth!
Aishwarya started out her career as a model in 1991 and won an International supermodel contest organised by Ford. Then in the year 1994 she won the coveted, Miss World pageant.
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
Disclaimer: JFW Digital sides with neither party in this legal quarrel.
Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.
M Rajesh’s unique grammar is visible but without the usual charm!
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
An entertaining watch that is heartfelt but lacks depth in places.
Disclaimer: JFW Digital sides with neither party in this legal quarrel.
Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.
After a disappointing Sir/Vaathi, Venky Atluri delivers an engaging and relatable drama on racketeering starring Dulquer Salman and Meenakshi Chaudhary.
Stunning visuals, commendable performances and a soulful story.
There’s a line in ‘Bloody Beggar’ where Kavin walks off from a movie and tells his friend, “ipdi oru padam nadichathuku antha aal mela than complaint kudukanum”. By the end of it, you can’t help but look at that scene as a foreshadowed emotion of the audience towards Bloody Beggar.
Which one are you watching this Diwali weekend?
If a man is seeking revenge, if a protagonist needs a hero moment, if a villain’s vileness needs to be depicted – the lens turns towards capturing a sexual assault. But does that plot really require a rape crime? Even if it does, can it not be dealt with more sensitivity?