She is fierce!
4. When she cuts the fingers of Bhallaladeva’s Senadhipathi: Women harassment has always been an issue then and now. However, Devasena is fearless. She notices men of Bhallaladeva inappropriately touching women and she doesn’t stay silent. When Senadhipathi tries touching her, she cuts off his fingers without a second thought. She was pregnant at that point of time but that didn’t stop her from fighting.
With too many ideas, Identity is engaging yet uncertain about what its ambitions are!
A political film that’s both intimate and intense!
An underwhelming sequel!
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.
With too many ideas, Identity is engaging yet uncertain about what its ambitions are!
A political film that’s both intimate and intense!
An underwhelming sequel!
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
Disclaimer: JFW Digital sides with neither party in this legal quarrel.
Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.
M Rajesh’s unique grammar is visible but without the usual charm!
