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Pushpa 2 Review: Allu Arjun Mounts an Incomplete and Fuel-less Fire!
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HER Movie Review : “Five women, five stories—realistic women characters that capture the different versions of women we see every day.
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Sorgavaasal Review: RJ Balaji Impresses In A Prison Drama That Breaks Some Routine!
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Identity Review: Tovino Thomas and Trisha’s Thriller Has A Solid Setup But Is Confused About Its Identity!
With too many ideas, Identity is engaging yet uncertain about what its ambitions are!
Viduthalai Part 2 Review: Vijay Sethupathi Fires Up A Compelling Sequel That’s Preachy Yet Politically Strong!
A political film that’s both intimate and intense!
Pushpa 2 Review: Allu Arjun Mounts an Incomplete and Fuel-less Fire!
An underwhelming sequel!
HER Movie Review : “Five women, five stories—realistic women characters that capture the different versions of women we see every day.
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards.
Sorgavaasal Review: RJ Balaji Impresses In A Prison Drama That Breaks Some Routine!
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors.
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A Poem on Female Friendships, Closure and Loneliness: All We Imagine As Light Review!
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
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Sookshmadarshini Movie Review: A Clever Rear Window-esque Dark Comedy With A Neighbourhood-friendly, Feminist Subtext!
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
Nayanthara vs Dhanush Controversy – Yet Another Excuse to Slut-Shame Women!
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Kanguva Movie Review: A Historic Disappointment !
Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.
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Brother Review: A Bland Dramedy That Relies Too Much on Outdated Ideas!
M Rajesh’s unique grammar is visible but without the usual charm!
