Movies
November 1, 2016
- |
- By JFW Guest
5 Times Aishwarya Rai Bachchan Set Trends For The World!
Kudos to the most beautiful woman on earth!
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There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
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Brother Review: A Bland Dramedy That Relies Too Much on Outdated Ideas!
M Rajesh’s unique grammar is visible but without the usual charm!
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Sookshmadarshini Movie Review: A Clever Rear Window-esque Dark Comedy With A Neighbourhood-friendly, Feminist Subtext!
Nazriya Nazim and Basil Joseph outdo each other in this well-written entertainer!
A Poem on Female Friendships, Closure and Loneliness: All We Imagine As Light Review!
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering both.
Nayanthara: Beyond the Fairy Tale Review
An entertaining watch that is heartfelt but lacks depth in places.
Nayanthara vs Dhanush Controversy – Yet Another Excuse to Slut-Shame Women!
Disclaimer: JFW Digital sides with neither party in this legal quarrel.
Kanguva Movie Review: A Historic Disappointment !
Kanguva starring Suriya, is nothing more than a 3 hour long circus; probably the worst Director Siva has ever made.
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Lucky Baskhar Review: Dulquer Shines in this Engaging Con Drama!
After a disappointing Sir/Vaathi, Venky Atluri delivers an engaging and relatable drama on racketeering starring Dulquer Salman and Meenakshi Chaudhary.
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Amaran Movie Review: Heartfelt Biopic With Stellar Performances By Sivakarthikeyan And Sai Pallavi !
Stunning visuals, commendable performances and a soulful story.
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Bloody Beggar Review : Barely Passes Off As An Entertainer!
There’s a line in ‘Bloody Beggar’ where Kavin walks off from a movie and tells his friend, “ipdi oru padam nadichathuku antha aal mela than complaint kudukanum”. By the end of it, you can’t help but look at that scene as a foreshadowed emotion of the audience towards Bloody Beggar.
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Which one are you watching this Diwali weekend?
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Why Does Portraying Sexual Violence On Screen Need More Sensitivity?
If a man is seeking revenge, if a protagonist needs a hero moment, if a villain’s vileness needs to be depicted – the lens turns towards capturing a sexual assault. But does that plot really require a rape crime? Even if it does, can it not be dealt with more sensitivity?